Celebrating 300 years of Chippendale
ABOUT THE EXHIBITION
The Master Carvers’ Association is pleased to present ‘Matching Patron & Maker’ – a new exhibition celebrating the life, work and lasting legacy of Thomas Chippendale, Britain’s foremost furniture designer and maker.
Chippendale was baptised on 5th of June 1718, and this year his tercentenary is being celebrated around the country. Since e◊ablishing his famous London workshop in the 1750s, his exceptional work continues to shape the identity of craft and design in the capital and beyond.
A suite of seven music sands has been masterfully designed, carved and made for the exhibition and to be put to use for recital performances at selected evenings. Like Chippendale’s furniture, these music ◊ands are both functional and sculptural objects. As with all endeavours, “We learn from the past, create for the future.”
INFORMATION / APPOINTMENTS*
To register interest or book an out of hours appointment get in touch via firstname.lastname@example.org.
WITH SPECIAL THANKS TO
Alan Marsh, DKT Artworks, The Carpenters’ Company, Chippendale 300, Huon Mallalieu, Lennox Cato Antiques, Luke Hughes, Moss & Co Timber Merchants, Ossowski, Parabola Workshops, Simon Kidd and Tomasso Brothers.
The Master Carvers’ Association Celebrates the Tercentenary of Chippendale’s Birth
The Master Carvers Association, founded in 1897, is pleased to celebrate the tercentenary of Thomas Chippendale’s birth. Browse the site to learn more about our history and skills. Each current member has their own page with information and links to their own web sites.
Restoration of one of the Dundas sofas by Carvers & Gilders
One of a suite of four sofas and eight chairs designed by Robert Adam and made by Thomas Chippendale in 1764/5 for Sir Lawrence Dundas. This sofa, numbered three, was restored by Carvers & Gilders for Houston Museum of Fine Arts in 2015/6. The aim of the work was to return the piece to its’ original intention which was finely carved, thinly gessoed and oil gilded. Jonathan Knight oversaw the joinery work and A. T. Cronin carried out the re-upholstery.
The sofa structure is beech faced with lime and the serpentine front rail is pine and lime. Remains of the earliest oil gildings were kept and consolidated. All later water gildings were removed along with bad carving repairs. Not all later structural changes were reversed, only those which prevented the original upholstery lines being reinstated. The original curved seat bearers had been cut out for sprung seating. These were replaced. Additional tacking rail caps were removed and the carved husks were once again used as the braid which covers upholstery edges and tacks.